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The character’s style wasn’t clearly outlined in Riley’s script, so Govan pulled from her own roots as a black woman growing up in Texas: “I had a great-grandfather who had cowboy hats, and I had an uncle who wore cowboy hats and Wrangler jeans with the big belt buckles,” she says. “Oakland has also a rich history of black cowboys and that’s who I really wanted Danny to be: A retired black cowboy who still wore his Stetson and had great bolo ties. What was interesting was Danny himself has a collection of Stetsons.” Detroit’s looks are the flashiest: the “Future Is Female Ejaculation” T-shirt, the “ Murder Murder Murder-Kill Kill Kill ” earrings, the sequined joggers. “[Detroit is] Afro-punk, Afrofuturism, really pro-feminist, very smart, very savvy. She’s not necessarily speaking through words, but through art,” Govan says. The looks only work because they are so thoroughly consistent, excess — busy fabrics, loud textures, layered designs — in balance. “Her character, in my mind, had a lot of layers,” adds Govan. “The earrings were the starting act of her look, but they had to be in balance with the rest of her costume pieces. Every ounce of Detroit was vintage. Every ounce of her was researched and thought about.
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